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All the Secrets and techniques Behind The Hair In ‘Dear White People’ Season 2

Warning: This publish accommodates spoilers.
We’ve waited over a year, but Expensive White Folks is finally again. The acclaimed movie turned Netflix collection centers around the lives of African American college students as they arrive face-to-face with microaggressions on the fictional predominately white, Ivy League Winchester College. Primarily based on its popularity and scope of a “postracial” America on a faculty campus, the show was renewed for a second season—and rightfully so. The situations Winchester students discover themselves in really feel all too familiar for women of coloration.

Apart from the drama and brilliant commentary on “wokeness,” while binge-watching the first season of Dear White People, I couldn’t appear to take my eyes off the superb hair appears to be like that I so desperately wished to re-create. From textured pompadour of lead character Samantha White (performed by Logan Browning) to waist-length field braids of Joelle Brooks (Ashley Blaine), it was truly refreshing to see the versatility of natural hair flawlessly depicted in the collection. Greater than that, the present captures the difficult relationship black women have with their hair—and, for thus many people, how it ties into our identities.

With the show returning to Netflix this weekend, I caught up with head hairstylist Dontay Savoy to be taught more about how the characters’ hairstyles play a role this season. Savoy is an advocate of the natural-hair motion, which is why lace wigs price he needed the styles this season to be reflective of that. “It was extremely essential to indicate that it’s Ok for black women to embrace their natural curl patterns,” he tells Glamour. “For a very long time, women have been kept hostage of owning what exactly that their very own pure hair does by straightening it with relaxers, chemicals, and combs.”

This, if you happen to remember from last season, was a giant plot point for Colandrea “Coco” Conners (performed Antoinette Robertson). Episode 4 dived into her painful quest to cowl up her impoverished upbringing and fit in with the beauty requirements of her white counterparts. She ditched her natural hair for sew-in extensions after which moved on to wigs. “Her character is type of glamorous, but we’ve got to bear in mind, she’s still a college pupil,” says Savoy. “She comes from poverty, however she’s attempting to make it appear to be she’s the glam girl, the pretty woman who’s always been it. She would not want anybody to know she’s ever been poor or had to battle.”

Now, as black women are persevering with to interrupt free from the constraints of Eurocentric magnificence ideals, Savoy says it was essential this was additionally reflected within the characters on the present, especially Coco, who’s struggled with this part of her identity for so long. For the opening scene of season two, Savoy ditched Coco’s regular free waves and curls for a more audacious look. “I gave her this lengthy, 45-inch ponytail with blunt-minimize bangs,” he says. “That was certainly one of my favourite hairstyles for Coco, because it was completely different. You never saw her hair pulled away from her face, so that you were able to see how beautiful she really is.” From the get-go, we see her interacting with her hair in a method she often doesn’t—she’s seen stroking her ponytail and even whips her hair at Sam—conveying the energy and confidence she’s built up over time. “Her hair is an accessory to her shadiness [this season],” says Savoy.

In the meantime, Joelle Brooks’ field braids made their return, but Savoy determined to diversify the way in which they have been styled. “For season two, I made positive I sent her to the most effective braider,” he says. “A lot of people assume that when you wear braids, you simply have one or two types and that’s it. I needed to show we may treat braids identical to they’re regular hair.” Considered one of his favorite styles “We put four or five cornrows in her braids, and it simply turned out magnificent,” he says.

While Joelle did not make a drastic hair change, the change in her styling added to the shift in persona to her character. “Joelle comes to learn more about herself this season,” says Savoy. “She realizes that she has extra than simply brains. She starts to fairly herself up and add hair jewellery for a pop.” For instance, in episode two, Joelle is proven with her hair in braided ponytails and gold-detailed beading singing Erykah Badu’s “Tyrone” during an open-mic phase after realizing she has feelings for Reggie. It was no coincidence that Brooks paid homage to Badu, who’s long worn a plethora of natural hairstyles.

After which, after all, there’s Sam—who’s pinned-up, crownlike pompadour is central to how she wants the world to see her. As a social activist and agent for racial equality, her hair mimics the styles worn by different historical black feminists like Madam C.J Walker and Ida B. Wells. In season two Savoy wanted to add a twist to Sam’s signature ’do by giving it extra of her natural texture (which he used Eco Styler Moroccan Argan Oil Styling Gel to keep in place for hours).

Sam’s hair also symbolizes some of the private hardships she endures this season—a visual signifier of her breakdown. The place for other characters, this is commonly shown as haircut, for Sam, it’s proven within the lack of her “crown.”

“There are moments where you see Sam starts to wear all of her hair down in curly types which are now not structured,” says Savoy. “They are not held together with pins or something. She’s simply wearing it free.” One of those moments Savoy refers to specifically speaks to a scene episode 9, when Sam finds out that her dad has died. As she heads residence to be together with her family, her hair is totally down and in its seemingly natural state. “Sam was tired of fighting, so the daring, structured, crowned hairstyles began to diminish,” says Savoy. “The man of her life handed away, and at that time she had nothing more to show along with her hair.” She wore that hairstyle in class to point out her powerful exterior, and this episode shows Sam in her most vulnerable state, as she is full of grief and remorse.

Courtesy of Netflix

Whether or not an indication of power or loss of it, what Expensive White People does so well once again this season is capture the nuance and complexities of black hair in 2018. We all have our crowns—and this shows us the infinite methods we are able to wear them.

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